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- [Narrator] San Francisco in the 1850s,

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a city of wild license
and strong passions,

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a city where the strong became stronger

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and the weak perished.

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It was a city that floated
on a tidal wave of gold

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from the California diggings.

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Gold could buy anything,

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a drink, a dance, a kiss, or sudden death.

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But there were a few
things it couldn't buy.

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- I ain't much to look at, Meliss,

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but I'd be awful good to ya.

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I'd take care of ya,

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like a nice little woman like
you should be taking care of.

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Will ya, Meliss? Will you marry me?

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- Thanks for asking Dutch.

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- You can have your weight in gold.

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- I can what?

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- I mean it!

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You stand on the scales, and
I'll balance it with gold.

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- No, thanks, Dutch.

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I give my heart, I don't sell it.

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(people chattering)

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- A dance hall girl isn't worth

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that kind of suffering, Dutch.

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- I knew her before she
was a dance hall girl.

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I've been after her to marry me

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ever since she came off
that boat from the East.

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That's why I went to minin'.

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Wanted enough money to set her up better

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than any lady in town.

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Now I got the money.

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Nothing warm and soft about money.

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Man'd be an awful fool tryin'
to kiss money. (laughs)

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- It shouldn't be hard to find a wife.

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- There's only one Meliss.

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- I see you've been
consoling the lovelorn swain.

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- It isn't funny, Drake.

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- I think it's very funny
when a man offers a woman

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her weight in gold to marry him.

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- Dutch did that?

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- How much do you weigh
Melissa? 110, 120 pounds?

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- About that.

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- How much is she worth, Wayne?

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- At present gold prices, about $30,000.

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And I'd say considerably overpriced.

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(dramatic music)

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- 30,000.

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- What's on your mind, Tony?

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- I was just thinking
what a lucky man I am,

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with a girl like you,

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$30,000 worth of girl.

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♪ Californ-e-a ♪

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♪ Californ-e-a ♪

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- [Narrator] The Californians.

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♪ Californ-e-a ♪

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♪ I've come to live where life is best ♪

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♪ In the golden West ♪

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♪ I'm gonna strike it
rich in Californ-e-a ♪

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♪ Californ-e-a ♪

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- What'd you say if I said I'd pay ya

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your weight in gold to marry me?

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- Alright, Dutch, the
party's over. Let's go.

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- I'm having a good time.

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- Sure you are. Come on, on your feet.

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- Where are we going?

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- Over to my place.

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- Any girls?

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- Lots of 'em.
- Liquor?

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- All you can hold.

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- Please, I must see him.

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- Haven't you hurt him enough?

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- I'm not going to hurt him, Mr. Wayne.

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Quite the contrary.

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Dutch, I'm sorry, Dutch,
about everything. Honest, I am

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- Ah, it ain't your fault, Meliss.

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Guess I'm just an old fool.

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Real nice of ya to think

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of an ugly old man like
me though. (laughs)

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- I don't think you're ugly, Dutch.

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I think you're very gentle.

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Very kind.

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And very nice.

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Did you mean it, what
you said the other day,

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about wantin' to marry me?

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- I meant it.

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- Is it too late for a
girl to change her mind?

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- Why?
- Oh, maybe I'm tired.

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Maybe I'm hurting and need comfort.

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- You still love him, don't ya?

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- I can't afford that kind of love, Dutch.

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It's something that has to be ended.

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I won't say I love you, Dutch.

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Maybe someday, in time.

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- It's gonna be alright, Meliss.

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Everything's gonna be just fine.

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I gotta tell Matt.

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Ooh! Hey Matt!

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Come on in here! I'm takin'
over your place for a day.

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You tell all them cooks
and waiters of yours

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that old Dutch wants
the best eats in town.

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Tell 'em to start chilling
the wine right away.

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Honey, we're gonna have the
rootin, tootinest weddin'

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ever to hit San Francisco.

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Say, Matt, tell the
feed house to send over

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the biggest pair of steel
yard scales they got!

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My bride's gonna get the
greatest weddin' present

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a girl ever had.

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- Doggone. Now look alive there, boy!

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This is a weddin', not a funeral.

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- I wish you wouldn't
be so hasty about this.

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- I ain't a gonna give
that little gal a chance

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to change her mind.

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- You might wanna change yours.

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- What do you mean?

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- Dutch, isn't it odd that
she fell into your arms

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so all of a sudden?

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Did you ever stop to figure
out why she ditched Drake?

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After all, she and Drake...

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- Say no more, Matt.

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You're talkin' about my future wife.

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- Just wish you'd wait a
little while, that's all.

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Find out what's behind
this sudden change of mind.

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- Ah, it's just that you
don't like Meliss, that's all.

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- I don't trust her.
- Well, I do.

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I'm gonna marry her and that's that.

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(dramatic music)

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- Quite a send off for our
little girl, isn't it, Wayne?

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- I never expected to see you here.

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- If anyone has the right

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to attend Melissa's wedding, I have.

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At one time I had the idea

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I'd play a very important
part in her wedding.

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Well, that's life, isn't it.

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Filled with disappointments.

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- What happened between you and Melissa?

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- Perhaps our honest
friend persuaded her life

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was not all bubbles and folly.

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As a matter of fact,

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I urged her to accept the
honest Dutchman's hand.

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It's better for her.

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She'll make him a good wife.

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- Very kind of you.

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- Wasn't it.

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- Everybody, everybody look-y here!

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Here it is folks!

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Dowry for my new bride!

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With a few extra pounds thrown in

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in case she's put on a
little extra heft. (laughs)

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(all laughing)

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(all applauding)

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(ominous music)

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- Tony, you shouldn't be here now.

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- Darling, I had to see you.

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- Oh no, Tony, not now.

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- Conscience?

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- It's not too late, Tony.
We can still call it off.

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- And then?

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- We have each other.

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- How long can we go on like this?

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Both of us, poor,

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blaming each other for poverty,

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growing to hate each other.

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- I could never hate you, Tony.

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I love you.

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- You say that now, but later?

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Oh darling, don't you see?

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That's why I never asked
you to share my life before.

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Because I had nothing to give you.

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I couldn't bear the thought
of you growing to hate me.

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Or losing you.

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This way, everything will
be so different, darling.

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We'll be together.

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We'll be able to go where we please,

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have enough money to set
ourselves up respectably.

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- Stolen money.

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- Dutch will never miss it.

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I love you, darling.

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I love you so much.

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- Oh, Tony!

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(dramatic music)

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- Put in on, boys. Pile it up!

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Lord's a mercy!

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Who'd ever thought a little thing like you

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would weigh so much! (laughs)

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Matt, when's that parson gonna get here?

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- [Matt] He'll be here.

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- There she goes!
(all applauding)

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(all laughing)
Pile it on!

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Put it on for luck!

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There ya be, honey bird.

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Take it out and put it in the buggy, boys.

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My brides's gonna ride home
on a seat of pure gold!

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- Put me down, Dutch.

194
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- Meliss, what's the matter?

195
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- Too much excitement, I guess.

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Perhaps I could rest a little
before the minister arrives.

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- Oh, sure. I'll carry you upstairs.

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- Oh, no thanks, Dutch. I'll be alright.

199
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- That's what I like.

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Real lady, overcome with her own win.

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- Hurry!

202
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- Here help me!

203
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Hook this!

204
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(dramatic music)

205
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(knuckles rapping)

206
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- [Dutch] Honey, you alright?

207
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- Yeah sure, Dutch. I'm alright!

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- Parson's downstairs.

209
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Everybody's waiting for you.

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- I'll be right down, Dutch.

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- [Dutch] Melissa, you
sound funny. Let me in.

212
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Melissa, let me in!

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- Just a minute, Dutch.

214
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- Why Melissa, what are you-

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(Tony grunts)
(gun thuds)

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(dramatic music)

217
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- I'll see what's delaying him.

218
00:10:10,560 --> 00:10:12,502
Dutch! What happened?

219
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- Meliss, she's going away.

220
00:10:16,557 --> 00:10:18,440
What's he sayin'?

221
00:10:18,440 --> 00:10:20,000
- Melissa's gone off with Drake.

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They took the gold with them.

223
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(dramatic music)

224
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Dutch, you haven't got a leg to stand on

225
00:10:28,110 --> 00:10:30,150
in a charge of theft.

226
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You gave her the gold.

227
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A lot of people saw you give it to her.

228
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- You think I care about money? It's me.

229
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She made a fool out of me.

230
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Meliss. Pretty, soft, nice-smelling,

231
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rotten, theivin', Meliss!

232
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I'll get 'em, Matt!

233
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I swear I'll get 'em!

234
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- You stop talking that way.

235
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And stop thinking that way.

236
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You're a friend, Dutch.

237
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I'd hate to think of you
decorating the end of a rope.

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00:10:59,418 --> 00:11:02,251
(dramatic music)

239
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- Looks like they're
headed for Sacramento.

240
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Livery at the edge of town
swapped 'em to saddle nags

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and a pack horse for the Dutchman's buggy.

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Fella says it was headed north.

243
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- The Dutchman was headed
that way this morning.

244
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- I wouldn't be surprised none,

245
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but what he's tryin' to kill Drake,

246
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maybe the woman too.

247
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Can't say I blame him none.

248
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You reckon so, Matt?

249
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- It's a locked cinch.

250
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- Ain't it the dangdest thing

251
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what a woman can do to a man?

252
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- Yeah.

253
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Schaab, you're gonna be in charge

254
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for the next couple of days.

255
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I'll be out of town.

256
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- Where are you going?

257
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- Gonna try and keep a good man

258
00:11:46,760 --> 00:11:49,721
from being hanged for murdering a skunk!

259
00:11:49,721 --> 00:11:52,554
(dramatic music)

260
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- Tony, can't we stop here for awhile?

261
00:12:02,870 --> 00:12:03,743
- Good idea.

262
00:12:11,260 --> 00:12:13,253
Make camp over there. Start a fire.

263
00:12:15,500 --> 00:12:18,170
- Tony, what are you going to do?

264
00:12:18,170 --> 00:12:21,250
- Ride up in the rocks
and check our back trail.

265
00:12:21,250 --> 00:12:23,490
- I thought you said they wouldn't follow.

266
00:12:23,490 --> 00:12:25,910
- I said we were clear, as
far as the law was concerned.

267
00:12:25,910 --> 00:12:27,863
I didn't say anything about the Dutchman.

268
00:12:29,630 --> 00:12:32,430
- What will you do if the
Dutchman is following.

269
00:12:32,430 --> 00:12:33,730
- Stop him from following.

270
00:12:34,630 --> 00:12:37,453
- Oh no, Tony. We've
hurt him enough as it is.

271
00:12:41,148 --> 00:12:43,898
(dramatic music)

272
00:12:49,089 --> 00:12:51,839
(horse clopping)

273
00:13:08,638 --> 00:13:11,337
(weapon clicks)

274
00:13:11,337 --> 00:13:14,087
(dramatic music)

275
00:13:16,537 --> 00:13:20,318
(music intensifies)

276
00:13:20,318 --> 00:13:22,901
(weapon fires)

277
00:13:23,988 --> 00:13:25,649
What was that shot?

278
00:13:25,649 --> 00:13:26,482
- It's Dutch.

279
00:13:27,340 --> 00:13:28,308
- Is he dead?

280
00:13:28,308 --> 00:13:29,308
- What difference does it make?

281
00:13:29,308 --> 00:13:30,758
Let's get out of here. Hurry!

282
00:13:32,270 --> 00:13:33,103
- I'm not going.

283
00:13:35,440 --> 00:13:38,283
- What do you mean, not going?

284
00:13:39,190 --> 00:13:41,370
- I'm through with you, Tony.

285
00:13:41,370 --> 00:13:43,010
I knew you were weak.

286
00:13:43,010 --> 00:13:44,043
I could stand that,

287
00:13:44,940 --> 00:13:46,150
but I couldn't stand being with a man

288
00:13:46,150 --> 00:13:48,240
who would kill from ambush.

289
00:13:48,240 --> 00:13:50,620
- Haven't you turned pious?

290
00:13:50,620 --> 00:13:52,120
- Not pious.

291
00:13:52,120 --> 00:13:53,090
Just hating myself,

292
00:13:53,090 --> 00:13:55,490
for letting you turn me
into a cheat and a liar!

293
00:13:58,160 --> 00:13:59,520
- Come on now.

294
00:13:59,520 --> 00:14:00,470
You're being silly.

295
00:14:01,400 --> 00:14:03,970
- I can't leave Dutch out here like this.

296
00:14:03,970 --> 00:14:05,070
- What about the gold?

297
00:14:06,570 --> 00:14:08,384
- I don't care about the gold.

298
00:14:08,384 --> 00:14:11,134
(dramatic music)

299
00:14:14,414 --> 00:14:17,164
(horse clopping)

300
00:14:42,014 --> 00:14:43,681
- Did Drake do this?

301
00:14:45,700 --> 00:14:47,773
What happened? He abandon you?

302
00:14:48,760 --> 00:14:51,770
- No, I, I just couldn't leave
Dutch out here like this.

303
00:14:51,770 --> 00:14:53,390
- Why not?

304
00:14:53,390 --> 00:14:54,690
- I don't know.

305
00:14:54,690 --> 00:14:57,440
When he was hurt, it just
seemed important to help him.

306
00:14:59,110 --> 00:15:00,270
Is it possible to love a man,

307
00:15:00,270 --> 00:15:02,570
and not know it until it's too late?

308
00:15:02,570 --> 00:15:04,420
- Is this another one of your tricks?

309
00:15:06,010 --> 00:15:07,980
- Think what you please.

310
00:15:07,980 --> 00:15:08,813
Will he make it?

311
00:15:09,860 --> 00:15:10,693
- He might.

312
00:15:10,693 --> 00:15:13,500
He's tough, but he'll need nursing

313
00:15:13,500 --> 00:15:15,590
until he can be picked up.

314
00:15:15,590 --> 00:15:16,640
- I'll stay with him.

315
00:15:18,670 --> 00:15:19,770
- Where's Drake?

316
00:15:19,770 --> 00:15:22,550
- How about a half a day
ahead. Headed for Sacramento.

317
00:15:22,550 --> 00:15:23,750
Are you going after him?

318
00:15:25,070 --> 00:15:25,903
- Now I am.

319
00:15:27,250 --> 00:15:28,903
You take the water and grub.

320
00:15:29,834 --> 00:15:32,584
(dramatic music)

321
00:15:52,797 --> 00:15:55,797
(people chattering)

322
00:15:58,210 --> 00:15:59,742
- What will it be?

323
00:15:59,742 --> 00:16:00,909
- Monongahela.

324
00:16:02,950 --> 00:16:04,093
And conversation.

325
00:16:05,570 --> 00:16:07,350
- What kind of conversation?

326
00:16:07,350 --> 00:16:09,097
- A man rides into town
with a lot of money

327
00:16:09,097 --> 00:16:11,470
and a desire to stay out of sight.

328
00:16:11,470 --> 00:16:13,010
Where's he go?

329
00:16:13,010 --> 00:16:15,670
- Law?
- Not here.

330
00:16:15,670 --> 00:16:16,520
This is personal.

331
00:16:18,000 --> 00:16:19,883
- Whiskey's my business, not gabbing.

332
00:16:22,151 --> 00:16:24,818
(coin spinning)

333
00:16:30,810 --> 00:16:31,643
Funny thing.

334
00:16:32,890 --> 00:16:34,750
Fella rode in a few hours back.

335
00:16:34,750 --> 00:16:36,450
Asked the same question.

336
00:16:36,450 --> 00:16:37,570
- Tall, dark?

337
00:16:37,570 --> 00:16:40,800
- Yeah. I sent him over
at the Western Hotel.

338
00:16:40,800 --> 00:16:43,630
Ain't much of a place, but
it's what you'd call private.

339
00:16:43,630 --> 00:16:44,730
Right down the street.

340
00:16:45,860 --> 00:16:47,193
- Thanks.
- Hey.

341
00:16:48,172 --> 00:16:49,122
You gonna kill him?

342
00:16:50,156 --> 00:16:52,173
- There's a good chance of it.

343
00:16:52,173 --> 00:16:54,923
(dramatic music)

344
00:17:16,760 --> 00:17:17,930
- Yes, sir.

345
00:17:17,930 --> 00:17:20,510
- I'm looking for a friend.
I was told he was here.

346
00:17:20,510 --> 00:17:21,363
Name of Drake.

347
00:17:25,260 --> 00:17:27,180
- Nobody by that name registered.

348
00:17:27,180 --> 00:17:29,580
- Tall, dark. Came in tonight.

349
00:17:29,580 --> 00:17:31,460
- I'm sorry, but we don't
give out information

350
00:17:31,460 --> 00:17:32,423
about our guests.

351
00:17:36,800 --> 00:17:38,410
- Now listen to me.

352
00:17:38,410 --> 00:17:41,420
This man is a thief, maybe a killer.

353
00:17:41,420 --> 00:17:42,960
I know he's here,

354
00:17:42,960 --> 00:17:44,290
and I'm gonna take him out of here

355
00:17:44,290 --> 00:17:46,390
if I have to rip this place
down or its foundations.

356
00:17:46,390 --> 00:17:47,223
Now talk.

357
00:17:48,090 --> 00:17:51,543
- 210, second floor, end of the hall.

358
00:17:52,824 --> 00:17:55,824
(suspenseful music)

359
00:18:03,174 --> 00:18:06,713
- (knocks) Drake?

360
00:18:06,713 --> 00:18:09,634
- (knocks louder) Drake!

361
00:18:09,634 --> 00:18:12,384
(dramatic music)

362
00:18:14,767 --> 00:18:17,434
(weapon clicks)

363
00:18:39,170 --> 00:18:41,500
Did he leave anything in the safe?

364
00:18:41,500 --> 00:18:43,193
- No.
- Now, listen friend.

365
00:18:43,193 --> 00:18:44,610
A man doesn't jump out of a window

366
00:18:44,610 --> 00:18:47,610
with 130 pounds of gold on his back.

367
00:18:47,610 --> 00:18:48,443
Open it up.

368
00:18:49,960 --> 00:18:51,300
Open it up, I said.

369
00:19:01,910 --> 00:19:04,170
Where's the nearest place
to here that has a safe?

370
00:19:04,170 --> 00:19:05,003
- Saloon.

371
00:19:11,031 --> 00:19:13,448
(door slams)

372
00:19:15,413 --> 00:19:18,413
(people chattering)

373
00:19:21,680 --> 00:19:23,340
- You find him?

374
00:19:23,340 --> 00:19:24,602
- Uh, uh.

375
00:19:24,602 --> 00:19:25,769
- Monongahela?

376
00:19:31,650 --> 00:19:33,510
- Was he pretty thirsty
when he hit your place?

377
00:19:33,510 --> 00:19:35,460
- I'll say. (laughs)

378
00:19:35,460 --> 00:19:37,210
- Must've been the first place he hit.

379
00:19:37,210 --> 00:19:39,610
- The way he put away the
stuff, I'd say so too.

380
00:19:40,730 --> 00:19:43,433
- He left something for you to
keep in your safe, didn't he?

381
00:19:45,900 --> 00:19:47,803
- Yeah. Three big pouches.

382
00:19:48,900 --> 00:19:50,023
- Then he'd be back.

383
00:19:52,365 --> 00:19:53,198
Hmm.

384
00:19:55,135 --> 00:19:57,440
Have you got any wire around the place?

385
00:19:57,440 --> 00:19:59,430
- Wire? Yeah.

386
00:19:59,430 --> 00:20:01,447
- Good. You get it?

387
00:20:01,447 --> 00:20:02,853
- (money clinks) Sure!

388
00:20:04,509 --> 00:20:07,259
(dramatic music)

389
00:20:12,255 --> 00:20:14,838
(gentle music)

390
00:20:23,880 --> 00:20:26,880
(suspenseful music)

391
00:20:49,874 --> 00:20:52,707
(weapon clicking)

392
00:20:58,445 --> 00:20:59,700
- So I said to the man, I don't-

393
00:20:59,700 --> 00:21:00,743
- Don't move, Wayne!

394
00:21:01,950 --> 00:21:05,890
You! Get the stuff I left, and no tricks.

395
00:21:05,890 --> 00:21:06,723
- Yes, sir.

396
00:21:09,280 --> 00:21:11,380
- [Matt] Well, my old friend, Drake.

397
00:21:11,380 --> 00:21:13,150
- Stay the way you are.

398
00:21:13,150 --> 00:21:15,130
Don't turn around.

399
00:21:15,130 --> 00:21:17,150
- [Matt] Shot Dutch in
the back too, didn't you?

400
00:21:17,150 --> 00:21:19,090
- I'm admitting nothing!

401
00:21:19,090 --> 00:21:21,090
- [Matt] Aren't you
gonna give me a chance?

402
00:21:21,090 --> 00:21:24,114
- Raise your hands, Wayne. Slowly.

403
00:21:24,114 --> 00:21:25,503
- [Matt] I'd rather not.

404
00:21:27,300 --> 00:21:28,666
- You asked for it.

405
00:21:28,666 --> 00:21:30,350
(weapon fires)

406
00:21:30,350 --> 00:21:31,941
- Pretty rotten shot, aren't you?

407
00:21:31,941 --> 00:21:34,524
(weapon fires)

408
00:21:38,754 --> 00:21:41,337
(weapon fires)

409
00:21:45,630 --> 00:21:48,163
Thanks a lot, Mr. Kotter. It worked.

410
00:21:50,530 --> 00:21:52,783
- Well, you coulda killed
him. Why didn't you?

411
00:21:53,800 --> 00:21:55,150
- He shot a friend of mine.

412
00:21:56,250 --> 00:21:57,600
I didn't wanna be too easy on him,

413
00:21:57,600 --> 00:21:58,793
in case my friend dies.

414
00:22:00,027 --> 00:22:02,777
(dramatic music)

415
00:22:12,128 --> 00:22:14,590
(door squeaks)

416
00:22:14,590 --> 00:22:16,040
Well, Dutch, how do you feel?

417
00:22:17,040 --> 00:22:18,270
Sit down.

418
00:22:18,270 --> 00:22:19,310
- Didn't come to set.

419
00:22:19,310 --> 00:22:22,453
Came to ask questions.
Meliss, where is she?

420
00:22:23,830 --> 00:22:25,700
- Why do you wanna see Meliss?

421
00:22:25,700 --> 00:22:29,160
- I ain't a gonna have no
woman making a fool out of me.

422
00:22:29,160 --> 00:22:31,570
You were right about her. She's no good.

423
00:22:31,570 --> 00:22:34,440
- If it wasn't for Melissa,
you wouldn't be here.

424
00:22:34,440 --> 00:22:35,390
- What do you mean?

425
00:22:36,520 --> 00:22:37,993
- I mean that she left Drake,

426
00:22:39,010 --> 00:22:40,960
and she stayed with you
three days out in the hills

427
00:22:40,960 --> 00:22:42,310
until we could pick you up.

428
00:22:43,310 --> 00:22:44,300
When we got to you,

429
00:22:44,300 --> 00:22:46,603
she hadn't had a drink
of water in two days.

430
00:22:47,660 --> 00:22:48,853
Saved it all for you.

431
00:22:50,580 --> 00:22:51,730
She pulled you through,

432
00:22:52,930 --> 00:22:55,570
and then she left you
so you wouldn't know.

433
00:22:55,570 --> 00:22:58,083
- Why? Why didn't she want me to know?

434
00:22:59,620 --> 00:23:00,970
- Maybe you better ask her.

435
00:23:16,410 --> 00:23:18,410
- Why'd you cut yourself off from Drake?

436
00:23:19,460 --> 00:23:20,690
- Don't ask questions, Dutch.

437
00:23:20,690 --> 00:23:21,960
- You got frightened, didn't ya?

438
00:23:21,960 --> 00:23:24,080
Afraid you's gonna get caught, that's why.

439
00:23:24,080 --> 00:23:25,830
- Yeah sure, that's why.

440
00:23:25,830 --> 00:23:27,390
- You just nursed me through, so

441
00:23:27,390 --> 00:23:28,850
thought maybe when I catched up with you,

442
00:23:28,850 --> 00:23:30,393
I'd go easy on you, huh?

443
00:23:31,350 --> 00:23:32,500
- Yeah sure, that's it.

444
00:23:33,340 --> 00:23:38,340
- Doggone, honey. You can't
lie worth a nickel. (laughs)

445
00:23:38,790 --> 00:23:41,560
Maybe you felt a little
fondness for old Dutch, huh?

446
00:23:42,593 --> 00:23:44,949
Come here, honey. Come here.

447
00:23:44,949 --> 00:23:47,616
(gentle music)

448
00:23:54,890 --> 00:23:55,980
- [Narrator] As long as she would live,

449
00:23:55,980 --> 00:23:59,540
Meliss was known in San
Francisco as the Golden Bride,

450
00:23:59,540 --> 00:24:02,330
the woman who was bought
for her weight in gold.

451
00:24:02,330 --> 00:24:04,460
But it wasn't gold that bought her.

452
00:24:04,460 --> 00:24:07,503
It was love, tenderness and understanding.

453
00:24:08,350 --> 00:24:12,193
As I said, gold could buy
anything, but not everything.

454
00:24:13,051 --> 00:24:14,776
♪ California ♪

455
00:24:14,776 --> 00:24:16,269
♪ Oh I've traveled here ♪

456
00:24:16,269 --> 00:24:17,549
♪ I've traveled there ♪

457
00:24:17,549 --> 00:24:19,600
♪ I guess I been most everywhere ♪

458
00:24:19,600 --> 00:24:21,819
♪ But I like where I am today ♪

459
00:24:21,819 --> 00:24:23,845
♪ And here is where I'll stay ♪

460
00:24:23,845 --> 00:24:25,939
♪ Now one thing I just can't endure ♪

461
00:24:25,939 --> 00:24:28,229
♪ Is being broke and being poor ♪

462
00:24:28,229 --> 00:24:30,287
♪ So I come West to take the cure ♪

463
00:24:30,287 --> 00:24:32,964
♪ And here is where I'll stay ♪

464
00:24:32,964 --> 00:24:35,728
♪ I've come to Californ-e-a ♪

465
00:24:35,728 --> 00:24:37,626
♪ Californ-e-a ♪

466
00:24:37,626 --> 00:24:39,397
♪ There's gold in them thar hills ♪

467
00:24:39,397 --> 00:24:41,477
♪ In Californ-e-a ♪

468
00:24:41,477 --> 00:24:44,306
♪ I've come to live where life is best ♪

469
00:24:44,306 --> 00:24:46,266
♪ In the golden West ♪

470
00:24:46,266 --> 00:24:47,757
♪ I'm gonna strike it rich ♪

471
00:24:47,757 --> 00:24:50,226
♪ In Californ-e-a ♪

472
00:24:50,226 --> 00:24:52,317
♪ Californ-e-a ♪

473
00:24:52,317 --> 00:24:54,406
♪ Californ-e-a ♪

474
00:24:54,406 --> 00:24:58,664
♪ There's gold in them there hills ♪

475
00:24:58,664 --> 00:25:01,581
♪ In Californ-e-a ♪